Logic pro x 10.3 show master track how to#
Logic pro x 10.3 show master track manual#
Logic pro x 10.3 show master track full#
Logic pro x 10.3 show master track series#

But, if youвЂ™re still seeing some of the unwanted background noise (or quiet noise) not being removed via the visual aid, try adjusting this value slowly until it gets closer to your desired outcome.

Minimum Time to accept as Silence is used to define the length of time an area of your selected audio region must be under the set Threshold to be considered noise. Once youвЂ™ve got the Threshold at its ideal setting for your selected audio region, you can then use the Minimum Time, Attack, and Release settings to smooth out the selections and ensure none of the desired parts of the audio region are being cut off. You can think of the following three perimeters as ways to fine-tune the setting you have made on the Threshold. In other words, you can use this control in tandem with the visual aid to determine what parts of the audio region to keep and what to remove (represented by the grayed-out portions as seen above). It is used to define the amplitude or loudness a waveform must exceed in order to be considered a region, as opposed to noise that will be removed. Threshold is how we adjust the sensitivity.

Logic pro x 10.3 show master track series#

From there, Logic will present you with a visual representation of the audio region selected along with a series of controls for adjusting the degree of silence/noise to be removed. Then just hit Control + X to bring up the featureвЂ™s UI. The best and fastest way to access the Remove Silence feature is to select or highlight an audio region on the Main Window/tracks page.

Logic pro x 10.3 show master track how to#

How to access the Remove Silence Feature? At which point, the audio region will then get automatically chopped up - the original performance otherwise untouched - into new regions with all of the unwanted or noisy areas in the original selection removed.

In other words, Logic will analyze the file automatically for you, and then using the visual aid provided, we can adjust the Threshold, Minimum Time, Pre-Attack, and Post-Release settings to ensure it is only removing the parts of the file we want. Using a series of basic controls, you can influence the way with which that determination is made. By analyzing a selected audio regionвЂ™s waveform information and transients, Logic will determine what parts of the audio is to be kept, and which of it is silence (or unwanted noise) to be removed or deleted. It is a basic tool you can use to remove the unwanted noise in an audio region. However, in many scenarios, it will be all youвЂ™ll need. While editing with LogicвЂ™s Marquee/Fade tools and Selection-Based Processing is certainly necessary at times, even in those cases, the Remove Silence feature is a great way to get the ball rolling. Whether itвЂ™s removing bleed from drum passages, the silence in between vocal phrases or any other unwanted noise, manually taking care of these issues can be cumbersome.

Logic pro x 10.3 show master track manual#

While we have looked at some manual options in the past for precision edits, LogicвЂ™s Remove Silence feature can get the job done in just a couple clicks or less.

Anyone who records audio will know good and well how tedious it can be to edit the undesirable noise out of a recording. No worries вЂ“ weвЂ™ll вЂњclaimвЂќ those 15 db back at the end of the mix chain, but for now weвЂ™re lowering it by 15 dB to get some вЂњheadroomвЂќ to start with (more about вЂњheadroomвЂќ and gain staging in THIS ARTICLE.After reviewing a number of quality of life techniques recently, today we are taking a closer look at how to Remove Silence in Logic Pro X.

Logic pro x 10.3 show master track full#

In other words, the vocal has a difficult time to cut through the full backing track вЂ“ this is especially true if youвЂ™re a songwriter trying to create a vocal hook on a full blown EDM-track which was originally intended as an instrumental club-track.Д«ecause we need some room for the vocals, we start by turning the backing-track down by вЂ“ 15 dB using a Gainer-plugin in the first insert-slot of the channel. We need to remember that the producer, when she created the backing track, did not necessarily care about adding vocals вЂ“ the producer just wanted the best sound for the track. When you import them into your DAW software, you can see in the waveform that they are coming in at full level, maxing out the meters. Producers who create backing-tracks want them to sound as big as possible вЂ“ most of the time they are fully mixed, mastered and level-maximized, and sound really full and вЂњloudвЂќ.